LIVE - BURSTING OUT

No Lullaby

Keep your eyes open and prick up your ears
rehearse your loudest cry.
There's folk out there who would do you harm
so I'll sing you no lullaby.
There's a lock on the window; there's a chain on the door:
a big dog in the hall.
But there's dragons and beasties out there in the night
to snatch you if you fall.

So come out fighting with your rattle in hand.
Thrust and parry.  Light
a match to catch the devil's eye.  Bring
a cross of fire to the fight.

And let no sleep bring false relief
from the tension of the fray.
Come wake the dead with the scream of life.
Do battle with ghosts at play.

Gather your toys at the call-to-arms
and swing your big bear down.
Upon our necks when we come to set
you sleeping safe and sound.

It's as well we tell no lie
to chase the face that cries.
And little birds can't fly
so keep an open eye.
It's as well we tell no lie
so I'll sing you no lullaby.
 

Sweet Dream

You'll hear me calling in your sweet dream,
can't hear your daddy's warning cry.
You're going back to be all the things you want to be,
while in sweet dreams you softly sigh.

You hear my voice is calling
to be mine again,
live the rest of your life in a day.
Get out and get what you can
while your mummy's at home a-sleeping.
No time to understand
`cause they lost what they thought they were keeping.

No one can see us in your sweet dream.
don't hear you leave to start the car.
All wrapped up tightly in the coat you borrowed from me,
your place of resting is not far.

You'll hear my voice is calling
to be mine again,
live the rest of your life in a day.
Get out and get what you can
While your mummy's at home a-sleeping.
No time to understand,
`cause they lost what they thought they were keeping.
 

Skating Away On The Thin Ice Of The New Day

Meanwhile back in the year One,
when you belonged to no-one,
you didn't stand a chance son,
if your pants were undone.
'Cause you were bred for humanity
and sold to society
one day you'll wake up
in the Present Day
a million generations removed from expectations of being who you really want to be.
Skating away, skating away,
skating away on the thin ice of the New Day.

So as you push off from the shore,
won't you turn your head once more
and make your peace with everyone?
For those who choose to stay,
will live just one more day
to do the things they should have done.
And as you cross the wilderness,
spinning in your emptiness:
you feel you have to pray.
Looking for a sign that the Universal Mind has written you into the Passion Play.
Skating away, skating away,
skating away on the thin ice of the New Day.

And as you cross the circle line,
the ice-wall creaks behind
you're a rabbit on the run.
And the silver splinters fly
in the corner of your eye
shining in the setting sun.
Well, do you ever get the feeling that the story's too damn real and in the present tense?
Or that everybody's on the stage, and it seems like you're the only person sitting in the audience?
Skating away, skating away,
skating away on the thin ice of the New Day.
Skating away, skating away , skating away
 

Jack-In-The-Green

Have you seen Jack-In-The-Green?
With his long tail hanging down.
He sits quietly under every tree
in the folds of his velvet gown.
He drinks from the empty acorn cup
the dew that dawn sweetly bestows.
And taps his cane upon the ground
signals the snowdrops it's time to grow.

It's no fun being Jack-In-The-Green
no place to dance, no time for song.
He wears the colours of the summer soldier
carries the green flag all the winter long.
Jack, do you never sleep

does the green still run deep in your heart?
Or will these changing times,
motorways, powerlines,
keep us apart?
Well, I don't think so
I saw some grass growing through the pavements today.

The rowan, the oak and the holly tree
are the charges left for you to groom.
Each blade of grass whispers Jack-In-The-Green.
Oh Jack, please help me through my winter's night.
And we are the berries on the holly tree.
Oh, the mistlethrush is coming.
Jack, put out the light.
 

One Brown Mouse

Smile your little smile take some tea with me awhile.
Brush away that black cloud from your shoulder.
Twitch your whiskers. Feel that you're really real.
Another tea-time another day older.

Puff warm breath on your tiny hands.
You wish you were a man
who every day can turn another page.
Behind your glass you sit and look
at my ever-open book:
One brown mouse sitting in a cage.

Do you wonder if I really care for you,
Am I just the company you keep?
Which one of us exercises on the old treadmill,
Who hides his head, pretending to sleep?

Smile your little smile take some tea with me awhile.
And every day we'll turn another page.
Behind our glass we'll sit and look
at our ever-open book:
One brown mouse sitting in a cage.
 

A New Day Yesterday

My first and last time with you
and we had some fun.
wenT walking through the trees, yeah!
And then I kissed you once.
Oh I want to see you soon
but I wonder how.
It was a new day yesterday
but it's an old day now.

Spent a long time looking
for a game to play.
My luck should be so bad now
to turn out this way.
Oh I had to leave today
just when I thought I'd found you.
It was a new day yesterday
But it's an old day now.
 

Flute Solo Improvisation/God Rest Ye Merry Gentlemen/Bourée

[Instrumental]
 

Songs From The Wood

Let me bring you songs from the wood:
to make you feel much better than you could know.
Dust you down from tip to toe.
Show you how the garden grows.
Hold you steady as you go.
Join the chorus if you can:
it'll make of you an honest man.
Let me bring you love from the field:
poppies red and roses filled with summer rain.
To heal the wound and still the pain
that threatens again and again
as you drag down every lover's lane.
Life's long celebration's here.
I'll toast you all in penny cheer.
Let me bring you all things refined:
galliards and lute songs served in chilling ale.
Greetings well met fellow, hail!
I am the wind to fill your sail.
I am the cross to take your nail:
A singer of these ageless times.
With kitchen prose and gutter rhymes.
Songs from the wood make you feel much better.
 

Thick As A Brick

Really don't mind if you sit this one out.

My words but a whisper -- your deafness a shout!
I may make you feel but I can't make you think.
Your sperm's in the gutter -- your love's in the sink.

So you ride yourselves over the fields
and you make all your animal deals
and your wise men don't know how it feels to be thick as a brick.

And the sand-castle virtues are all swept away
in the tidal destruction
the moral melee.
The elastic retreat rings the close of play
as the last wave uncovers the newfangled way.

But your new shoes are worn at the heels
and your suntan does rapidly peel
and your wise men don't know how it feels to be thick as a brick.

And the love that I feel is so far away.
I'm a bad dream that I just had today --
and you shake your head and say it's a shame.

See there! A son is born -- and we pronounce him fit to fight.
There are black-heads on his shoulders, and he pees himself in the night.
We'll make a man of him put him to trade
teach him to play Monopoly and to sing in the rain.

The Poet and the painter casting shadows on the water --
as the sun plays on the infantry returning from the sea.
The do-er and the thinker: no allowance for the other --
as the failing light illuminates the mercenary's creed.
The home fire burning: the kettle almost boiling --
but the master of the house is far away.
The horse he is stamping -- their warm breath clouding
in the sharp and frosty morning of the day.
And the poet lifts his pen while the soldier sheaths his sword.

And the youngest of the family is moving with authority.
Building castles by the sea, he dares the tardy tide to wash them all aside.

I've come down from the upper class to mend your rotten ways.
My father was a man-of-power whom everyone obeyed.

So you ride yourselves over the fields
and you make all your animal deals
and your wise men don't know how it feels to be thick as a brick.
 

Hunting Girl

One day I walked the road and crossed a field to go by where the hounds ran hard.
And on the master raced: behind the hunters chased to where the path was barred.
One fine young lady's horse refused the fence to clear.
I unlocked the gate but she did wait until the pack had disappeared.

Crop handle carved in bone; sat high upon a throne of finest English leather.

The queen of all the pack, this joker raised his hat and talked about the weather.
All should be warned about this high born Hunting Girl.
She took this simple man's downfall in hand; I raised the flag that she unfurled.

Boot leather flashing and spurnecks the size of my thumb.
This highborn hunter had tastes as strange as they come.
Unbridled passion: I took the bit in my teeth.
Her standing over me on my knees underneath.

My lady, be discrete. I must get to my feet and go back to the farm.
Whilst I appreciate you are no deviate, I might come to some harm.
I'm not inclined to acts refined, if that's how it goes.
Oh, high born Hunting Girl, I'm just a normal low born so and so.
 

Too Old to Rock 'n' Roll: Too Young to Die

The old Rocker wore his hair too long,
wore his trouser cuffs too tight.
Unfashionable to the end drank his ale too light.
Death's head belt buckle yesterday's dreams
the transport cafe prophet of doom.
Ringing no change in his double-sewn seams
in his post-war-babe gloom.

Now he's too old to Rock'n'Roll but he's too young to die.

He once owned a Harley Davidson and a Triumph Bonneville.
Counted his friends in burned-out spark plugs
and prays that he always will.
But he's the last of the blue blood greaser boys
all of his mates are doing time:
married with three kids up by the ring road
sold their souls straight down the line.

And some of them own little sports cars
and meet at the tennis club do's.
For drinks on a Sunday work on Monday.
They've thrown away their blue suede shoes.

Now they're too old to Rock'n'Roll and they're too young to die.

So the old Rocker gets out his bike
to make a ton before he takes his leave.
Up on the A1 by Scotch Corner
just like it used to be.
And as he flies tears in his eyes
his wind-whipped words echo the final take
and he hits the trunk road doing around 120
with no room left to brake.

And he was too old to Rock'n'Roll but he was too young to die.

No, you're never too old to Rock'n'Roll if you're too young to die.
 

Conondrum

[Instrumental]
 

Minstrel In The Gallery

The minstrel in the gallery
looked down upon the smiling faces.
He met the gazes observed the spaces
between the old men's cackle.
He brewed a song of love and hatred,
oblique suggestions and he waited.
He polarized the pumpkin-eaters,
static-humming panel-beaters,
freshly day-glow'd factory cheaters
(salaried and collar-scrubbing.)
He titillated men-of-action
belly warming, hands still rubbing
on the parts they never mention.
He pacified the nappy-suffering, infant-bleating,
one-line jokers, TV documentary makers
(overfed and undertakers.)
Sunday paper backgammon players
family-scarred and women-haters.
Then he called the band down to the stage
and he looked at all the friends he'd made.

The minstrel in the gallery
looked down upon the smiling faces.
He met the gazes observed the spaces
in between the old men's cackle.
He brewed a song of love and hatred,
oblique suggestions and he waited.
He polarized the pumpkin-eaters,
static-humming panel-beaters,

The minstrel in the gallery
looked down on the rabbit-run.
And threw away his looking-glass -
saw his face in everyone.

He titillated men-of-action
belly warming, hands still rubbing
on the parts they never mention.
(salaried and collar-scrubbing.)

He pacified the nappy-suffering, infant-bleating,
one-line jokers, TV documentary makers
(overfed and undertakers.)
Sunday paper backgammon players
family-scarred and women-haters.
Then he called the band down to the stage
and he looked at all the friends he'd made.

The minstrel in the gallery
looked down on the rabbit-run.
And threw away his looking-glass -
and saw his face in everyone.

The minstrel in the gallery
looked down upon the smiling faces.
He met the gazes...
The minstrel in the gallery
 

Cross-Eyed Mary

Who would be a poor man, a beggarman, a thief --
if he had a rich man in his hand.
And who would steal the candy
from a laughing baby's mouth
if he could take it from the money man.
Cross-eyed Mary goes jumping in again.
She signs no contract
but she always plays the game.
Dines in Hampstead village
on expense accounted gruel,
and the jack-knife barber drops her off at school.
Laughing in the playground -- gets no kicks from little boys:
would rather make it with a letching grey.
Or maybe her attention is drawn by Aqualung,
who watches through the railings as they play.
Cross-eyed Mary finds it hard to get along.
She's a poor man's rich girl
and she'll do it for a song.
She's a rich man stealer
but her favour's good and strong:
She's the Robin Hood of Highgate --
helps the poor man get along.
 

Quatrain

[Instrumental]
 

Aqualung

Sitting on a park bench --
eyeing little girls with bad intent.
Snot running down his nose --
greasy fingers smearing shabby clothes.
Drying in the cold sun --
Watching as the frilly panties run.
Feeling like a dead duck --
spitting out pieces of his broken luck.

Sun streaking cold --
an old man wandering lonely.
Taking time
the only way he knows.
Leg hurting bad,
as he bends to pick a dog-end --
he goes down to the bog
and warms his feet.

Feeling alone --
the army's up the rode
salvation à la mode and
a cup of tea.
Aqualung my friend --
don't start away uneasy
you poor old sod, you see, it's only me.
Do you still remember
December's foggy freeze --
when the ice that
clings on to your beard is
screaming agony.
And you snatch your rattling last breaths
with deep-sea-diver sounds,
and the flowers bloom like
madness in the spring.
 

Locomotive Breath

In the shuffling madess
of the locomotive breath,
runs the all-time loser,
headlong to his death.
He feels the piston scraping --
steam breaking on his brow --
old Charlie stole the handle and
the train won't stop going --
no way to slow down.

He sees his children jumping off
at the stations -- one by one.
His woman and his best friend --
in bed and having fun.
He's crawling down the corridor
on his hands and knees --
old Charlie stole the handle and
the train won't stop going --
no way to slow down.

He hears the silence howling --
catches angels as they fall.
And the all-time winner
has got him by the balls.
He picks up Gideons Bible --
open at page one --
old Charlie stole the handle and
the train won't stop going --
no way to slow down.
 

The Dambusters March/Medley

[Instrumental]