HEAVY HORSES

...And The Mouse Police Never Sleeps

Muscled, black with steel-green eye
swishing through the rye grass
with thoughts of mouse-and-apple pie.
Tail balancing at half-mast.
...And the mouse police never sleeps
lying in the cherry tree.
Savage bed foot-warmer of purest feline ancestry.
Look out, little furry folk!
He's the all-night working cat.
Eats but one in every ten
leaves the others on the mat.
...And the mouse police never sleeps
waiting by the cellar door.
Window-box town crier;
birth and death registrar.
With claws that rake a furrow red
licensed to multilate.
From warm milk on a lazy day
to dawn patrol on hungry hate.
...No, the mouse police never sleeps
climbing on the ivy.
Windy roof-top weathercock.
Warm-blooded night on a cold tile.
 

Acres Wild

I'll make love to you
in all good places
under black mountains
in open spaces.
By deep brown rivers
that slither darkly
through far marches
where the blue hare races.

Come with me to the Winged Isle
northern father's western child.
Where the dance of ages is playing still
through far marches of acres wild.

I'll make love to you
in narrow side streets
with shuttered windows,
crumbling chimneys.

Come with me to the weary town
discos silent under tiles
that slide from roof-tops, scatter softly
on concrete marches of acres wild.

By red bricks pointed
with cement fingers
Flaking damply from sagging shoulders.

Come with me to the Winged Isle
northern father's western child.
Where the dance of ages is playing still
through far marches of acres wild.
 

No Lullaby

Keep your eyes open and prick up your ears
rehearse your loudest cry.
There's folk out there who would do you harm
so I'll sing you no lullaby.
There's a lock on the window; there's a chain on the door:
a big dog in the hall.
But there's dragons and beasties out there in the night
to snatch you if you fall.

So come out fighting with your rattle in hand.
Thrust and parry.  Light
a match to catch the devil's eye.  Bring
a cross of fire to the fight.

And let no sleep bring false relief
from the tension of the fray.
Come wake the dead with the scream of life.
Do battle with ghosts at play.

Gather your toys at the call-to-arms
and swing your big bear down.
Upon our necks when we come to set
you sleeping safe and sound.

It's as well we tell no lie
to chase the face that cries.
And little birds can't fly
so keep an open eye.
It's as well we tell no lie
so I'll sing you no lullaby.
 

Moths

The leaded window opened
to move the dancing candle flame
And the first Moths of summer
suicidal came, suicidal came.
And a new breeze chattered
in its May-bud tenderness,
Sending water-lillies sailing
as she turned to get undressed.
And the long night awakened
and we soared on powdered wings,
Circling our tomorrows
in the wary month of Spring.
Chasing shadows slipping
in a magic lantern slide,
Creatures of the candle
on a night-light-ride.
Dipping and weaving
Flutter through the golden needle's eye
in our haystack madness.
Butterfly-stroking on a Spring-tide high.
Life's too long (as the Lemming said)
as the candle burned and the Moths were wed.
And we'll all burn together as the wick grows higher
but before the candle's dead.
The leaded window opened
to move the dancing candle flame.
And the first moths of summer
suicidal came, oh, suicidal came.
To join in the worship
of the light that never dies
in a moment's reflection
of two moths spinning in her eyes.
 

Journeyman

Spine-tingling railway sleepers
Sleepy houses lying four-square and firm
Orange beams divide the darkness
Rumbling fit to turn the waking worm.
Sliding through Victorian tunnels
where green moss oozes from the pores.
Dull echoes from the wet embankments
Battlefield allotments.  Fresh open sores.

In late night commuter madness
Double-locked black briefcase on the floor
like a faithful dog with master
sleeping in the draught beside the carriage door.
To each Journeyman his own home-coming
Cold supper nearing with each station stop
Frosty flakes on empty platforms
Fireside slippers waiting.  Flip. Flop.

Journeyman night-tripping on the late fantasic
Too late to stop for tea at Gerard's Cross
and hear the soft shoes on the footbridge shuffle
as the wheels turn biting on the midnight frost.
On the late commuter special
Carriage lights that flicker, fade and die
Howling into hollow blackness
Dusky diesel shudders in full cry.
Down redundant morning papers
Abandon crosswords with a cough
Stationmaster in his wisdom
told the guard to turn the heating off.
 

Rover

I chase your every footstep
and I follow every whim.
When you call the tune I'm ready
to strike up the battle hymn.
My lady of the meadows
My comber of the beach
You've thrown the stick for your dog's trick
but it's floating out of reach.
The long road is a rainbow and the pot of gold lies there.
So slip the chain and I'm off again
You'll find me everywhere.  I'm a Rover.

As the robin craves the summer
to hide his smock of red,
I need the pillow of your hair
in which to hide my head.
I'm simple in my sadness,
resourceful in remorse.
Then I'm down straining at the lead
holding on a windward course.

Strip me from the bundle
of balloons at every fair:
colourful and carefree
Designed to make you stare.
But I'm lost and I'm losing
the thread that holds me down.
And I'm up hot and rising
in the lights of every town.
 

One Brown Mouse

Smile your little smile take some tea with me awhile.
Brush away that black cloud from your shoulder.
Twitch your whiskers. Feel that you're really real.
Another tea-time another day older.

Puff warm breath on your tiny hands.
You wish you were a man
who every day can turn another page.
Behind your glass you sit and look
at my ever-open book:
One brown mouse sitting in a cage.

Do you wonder if I really care for you,
Am I just the company you keep?
Which one of us exercises on the old treadmill,
Who hides his head, pretending to sleep?

Smile your little smile take some tea with me awhile.
And every day we'll turn another page.
Behind our glass we'll sit and look
at our ever-open book:
One brown mouse sitting in a cage.
 

Heavy Horses

Iron-clad feather-feet pounding the dust,
An October's day, towards evening,
Sweat embossed veins standing proud to the plough,

Salt on a deep chest seasoning.
Last of the line at an honest day's toil,
Turning the deep sod under,
Flint at the fetlock, chasing the bone,
Flies at the nostrils plunder.

The Suffolk, the Clydesdale, the Percheron Vie
with the Shire on his feathers floating.
Hauling soft timber into the dusk
to bed on a warm straw coating.

Heavy Horses, move the land under me.
Behind the plough gliding slipping and sliding free.
Now you're down to the few
And there's no work to do:
The tractor's on its way.

Let me find you a filly for your proud stallion seed
to keep the old line going.
And we'll stand you abreast at the back of the wood
behind the young trees growing.
To hide you from eyes that mock at your girth,
and your eighteen hands at the shoulder.
And one day when the oil barons have all dripped dry
and the nights are seen to draw colder
they'll beg for your strength, your gentle power
your noble grace and your bearing.
And you'll strain once again to the sound of the gulls
in the wake of the deep plough, sharing.

Standing like tanks on the brow of the hill
Up into the cold wind facing
In stiff battle harness, chained to the world
Against the low sun racing.
Bring me a wheel of oaken wood
A rein of polished leather
A Heavy Horse and a tumbling sky
Brewing heavy weather.

Bring a song for the evening
Clean brass to flash the dawn
across these acres glistening
like dew on a carpet lawn.
In these dark towns folk lie sleeping
as the heavy horses thunder by
to wake the dying city
with the living horseman's cry.

At once the old hands quicken,
bring pick and wisp and curry comb,
thrill to the sound of all
the heavy horses coming home.
 

Weathercock

Good morning Weathercock:
How did you fare last night?
Did the cold wind bite you,
did you face up to the fright
When the leaves spin from October
and whip around your tail?
Did you shake from the blast,
did you shiver through the gale?

Give us direction; the best of goodwill,
Put us in touch with fair winds.
Sing to us softly, hum evening's song.
Tell us what the blacksmith has done for you.

Do you simply reflect changes
in the patterns of the sky,
Or is it true to say the weather heeds
the twinkle in your eye?
Do you fight the rush of winter;
do you hold snowflakes at bay?
Do you lift the dawn sun from the fields
and help him on his way?

Good morning Weathercock: make this day bright.
Put us in touch with your fair winds.
Sing to us softly, hum evening's song.
Point the way to better days we can share with you.
 

Living In These Hard Times

The bomb's in the china.  The fat's in the fire.
There's no turkey left on the table.
The commuter's return on the six o'clock flyer
brings no bale of hay for the stable.
Well, the light, it is failing along the green belt
as we follow the hard road signs.
Semi-detached in our suburban-ness
we're living in these hard times.

Well the fly's in the milk and the cat's in the stew.
Another bun in the oven - oh, what to do?
We'll laugh and we'll sing and try to bring
a pound from your pocket.
Good day to you.
Oh, these hard times.

The politicians sat on the wall
and traded with the union game.
Someone slapped a writ on our deficit
not a penny left to our name.
Oh, the times are hard and the credits lean,
and they toss and they turn in sleep.
And the line they take is the line they make
but it's not the line they keep.

The cow jumped over yesterday's moon
and the lock ran away with the key.
You know what you like, and you like what you know
but there is no jam for tea.
Well the light it is failing along the green belt
as we follow the hard road signs.
Semi-detached in our suburban-ness
we're living in these hard times.
 

Broadford Bazaar

Dirty white caravans down narrow roads sailing.
Vivas, Cortinas, weaving in their wake.
With hot, red-faced drivers, horns' flattened fifths wailing,
Putting trust in blind corners as they overtake.
And it's "All come willing now,
Spend a shilling now,
Stack up the back of your new motor-car.''
There's home-dyed woolens, and wee plastic Cuillins
The day of the Broadford Bazaar.

Out of the north, no oil-rigs are drifting.
And jobs for the many are down to the few.
Blue-bottle choppers, they visit no longer.
Like flies to the jampots, they were just passing through.

And it's "All come willing now,
Spend a shilling now,
Stack up the back of your new motor-car''
Where once stood oil-rigs so phallic
There's only swear-words in Gaelic
To say at the Broadford bazaar.

All kinds of people come down for the opening.
Crofters and cottars, white settlers galore.
And up on the hill, there's an old sheep that's dying,
But it had two new lambs born just a fortnight before.

And it's "All come willing now,
Spend a shilling now,
Stack up the back of your new motor-car.''
We'll take pounds, francs and dollars from the well-heeled,
And stamps from the Green Shield.
The day of the Broadford Bazaar.